My style of painting is based on the free, expressive, use of colour and on an attempt at spontaneous depiction of the imagery of the unconscious. My works present all over configuration on a scale which dwarfs the spectator. The colour coordination on the canvas serves as records of gesture “the act of painting.’ The distinction between that which appears and that which is ‘between the piece and us there is always the intelligence. Instead of using outlines, making shapes or setting up spaces my art declares the space. Instead of working with remnants of space, I work with the whole space. There is a persistent urge as persistent as it is largely unconscious, to go beyond the cabinet picture that without actually becoming identified with the wall, like a mural, would spread over it and acknowledge it’s the physical reality. My art allows spectators to project meaning onto it that doesn’t actually exist. This is the practice of people projecting meaning onto my art based on their assumption of what the artist’s intention is when the artist has said nothing to that effect. Colours like things exist as inseparable and contradictory opposites and complete e