Isaac draws from notions of distortions and mythical beings. With particular interest to distortions of historical stories and the existence of unseen beings in locally shared stories in Zambia. Additionally, the works explore ideas of myth-making in relation to creating counter-narratives to colonial archives.
The most recent work ‘A dirge for the Future (2020)’ reflects on the many stories that form Zambia’ colonial heritage and their place in history.
His practice shifts between paintings, installations and mixed media mostly guided by the reference and research project.