Olivier Akunzi Nalumbu graduated from the Académie des Beaux-Arts in 2009 in Kinshasa and since then has taken part in several collective exhibitions in the Congo. For his works of art he uses extraordinary materials such as whole and fragmented egg shells and self-made camera lenses, from which he creates sculptures or paintings together with acrylic paints. The camera lenses symbolize the technical progress that has a lasting impact on the life of modern people. The eggshells express life in the most vulnerable, in the embryonic stage, which the artist awakens a second time with his collagen. In his works, Nalumbu criticizes the ubiquitous technology that attacks the intimacy and original identity of people. He calls this dependency relationship between humans and technology the “universal dance”.