Ali Tnani’s artistic practice combines drawing, multimedia installation and photography to question the idea of negative space. It is by erasing visible marks that the artist brings up the form – material and immaterial – which is visually reflected in scratches of pigments and lead-mine residues, which vanish into the surface of his works on paper. His work examines social issues in post-revolutionary Tunisia through narratives of traces, memory and history.
Represented by Elmarsa Gallery.