Danniel Toya is a young robotic sculptor, an insatiable creator who finds satisfaction in the diversion of the primary uses of objects, broken electronic toys, computer parts, sheets, plastics and other organic materials. The artist reclaims these discarded materials, which he assembles in a logic of utilitarian and certainly aesthetic construction. Each of his robot works is a metaphor for society, for which he works as an agitator of thoughts in order, according to him, to “innovate and make humanity evolve.” Danniel Toya, an impassive observer of his time, raises through his works recurring problems of daily life in the DRC. It is in this logic to address a solution to his observations that with his tools, the artist gives “body” to the problems. Restless and constantly confused by everyday problems, the Congolese are, according to him, victims of external disturbances which he formulates as multiple “mental disturbances”.