Ghanaian society typically takes a conservative stance on issues of sex and sexuality, and especially when it comes to the bodies of women. These topics are treated as apparitions, spoken about in obscure anecdotes and hushed metaphors. Priscilla Kennedy, a young Ghanaian artist, challenges this silence by making a bold statement in her work to prompt conversation around the female form and its sexuality. By employing embroidery as her medium, Priscilla weaves an unfiltered narrative around the female form on the keffiyeh (a scarf typically worn in the Arab world). Her choice of material is not only aesthetic, but engages the symbolic nature of the checkered material.